filmes de terror, bichinhos e faquinhas


aí vai mais uma série de capas de filmes de terror

Violet Le Duc (4)


recentemente obtive mais imagens do mobiliário em documentos raisonée da Idade Moderna. desta vez, mobiliários de diversas civilizações. por enquanto aí vai mais um post com imagens do Violet Le Duc, mas, em breve, vamos abrir o post com os mobiliários de outros povos…

capitulares hebraicas

anteriormente eu havia postado um comentário sobre a esquisitice que é uma capitular ornamental árabe.

hoje vamos mostrar aqui as capitulares ornamentais hebraicas de uma obra muito importante da religião judaica, a Sefer Aruch (Basel 1599). nas duas primeiras imagens vemos o mesmo princípio estético que é aplicado as capitulares do alfabeto latino. o resultado a primeira vista é identico ao com o que estamos acostumados em nosso alfabeto. é importante lembrar que de fato o alfabeto hebraico e o latino tem a mesma origem histórica: o desenvolvimento da escrita alfabética fenícia, oriunda por sua vez (é uma teoria) de um proto-alfabeto desenvolvido no Sinai por funcionários autóctones da admininistração egípica na região (ver Douglas MacMurtrie).

as próximas duas gravuras mostram um resultado bem diferente…

sobre a obra e os autores:

COMPLETE 332 pages. 28 x 19 cm. Overall very fine condition. Professional restoration to title and first few pages. Original vellum binding.

The book
The Aruch authored by Rabbi Nathan ben Rabbi Yechiel Anav, explains legal terms, gives etymologies and explanations of foreign (including those in Aramaic, Latin, Greek, Arabic, and Persian) words, and makes the Talmud more explicable to students. The Aruch thus provides traditions from North Africa, Babylonia, and Germany. It is tremendously helpful to talmudic scholars in helping them explicate arcane or foreign words and terms Author of the Aruch (order), a lexicon of Hebrew. It explains the translations, various interpretations and difficulties surrounding words taken from the entire Bible, Talmud, Midrash and Targums in Hebrew and Aramaic. He is frequently quoted by Rashi.

The Author
Rabbi Nathan ben Yechiel Anav was the greatest Italian Jewish scholar in the 11th century. As a child, he studied with his father, the founder of the Yeshiva in Rome. He also studied in Narbonne, learning the German/French talmudic disciplines. In 1070, at the death of his father, Rabbi Nathan joined his two brothers Rabbi Abraham and Rabbi Daniel to become the teachers at the Rome Yeshiva. All three wrote responsa; some scholars believe that he even answered a question written to him by Rashi. Rabbi Nathan was known for his generosity; he and his brothers financed the building of a magnificent synagogue and mikvah in Rome. While head of the yeshiva, Rabbi Nathan wrote his famous lexicon of the Talmud and major midrash collections, the Aruch.
Rabbi Nathan traced his family back to the scholars who were brought to Rome by Titus in 73 CE.

Rabbi Shmuel Archevolti
Aan excellent Talmudist and Italian grammarian, and poet of the sixteenth century, who loved the Hebrew language and delighted in its poetical phrasing and shading, was disinclined to uphold the ideas advanced by Rabbi Judah ha-Levi, who, though one of the greatest Hebrew poets, did not treat Biblical subjects poetically, maintaining that they did not readily lend themselves to such treatment. Rabbi Archevolti held the opposite view, and in respectful terms wrote against his famous predecessor, employing the Talmudic bit of satire, “The dough must be bad indeed if the baker says it is.” Rabbi Shmuel Archevolti was born in Cesena, Italy 1530 ca and passed away in Padua 1611.

“Lavacrum Conscientiae,” by Jacobus de Gruytrode


Offered is a beautiful copy of what is probably the first printed edition, or editio princeps, of the great medieval theological treatise entitled “Lavacrum Conscientiae,” authored by Jacobus de Gruytrode and printed in quarto in 1489 at Augsburg by Anton Sorg.

This is unquestionably the first dated edition of the great treatise; it is probably also the princeps proper, but there is another edition that was printed in Germany between 1487 and 1493.

This volume is beautifully rubricated with red and blue capitals in every initial space and with red underlinings and initial strokes; it is printed in gothic type in a single column throughout.

The volume is also beautifully bound in 15th century blindstamped calf and 15th century manuscript covered boards with leather ties. The manuscript and the ties are the products of a 20th century restoration and perfectly complement both the calf and the text.

The “Lavacrum Conscientiae” stresses the ministerial obligations of priests and is frequently severely critical of ecclesiastics. The author, Jacobus de Gruytrode, lived between 1381 and 1465, was originally a Cistercian, and switched to the more rigorous order of the Carthusian monastery at Erfurt.

The volume is complete in all respects, numbering folios plus initial and final blanks; it collates [1], a-m8, n-n2, [2]. The volume measures 19.5 cm by 14.7 cm by 3.5 cm.

The volume is in excellent condition internally and externally. The binding is essentially without wear and the pages are bright and very clean. The text is clear and crisp and the rubrication is full, bright and unfaded.

The title, which would have been the sole text upon the original title page, has been clipped and pasted upon a new leaf. There is also some marginal restoration to the first 7 leaves of text, occasionally affecting a couple of letters of text.

In all, this is a wonderful copy of a very rare and desirable incunable, the first edition of the “Lavacrum Conscientiae” of Jacobus de Gruytrode, printed at Augsburg in 1489, fully rubricated in rd and blue, and offered at a reasonable reserve.

Please take the time necessary to review the photos below in order to gain a better understanding of the content and condition of the volume.

Also, please take a moment to view my other auctions, including the second, expanded and definitive edition of the complete Latin works of Francesco Petrarcha, two volumes bound as one, printed at Venice in 1501; the beautifully printed 1498 edition of the complete works of the great Roman poet Statius, decorated with over 100 woodcut initials and containing Statius’ “Sylvae,” “Thebais,” and “Achilleidos”; the rare 1489 edition, probably the editio princeps and certainly the first dated edition, of the “Lavacrum Conscientiae” of Jacobus de Gruytrode, published at Augsburg by Anton Sorg, housed in a very nice binding and beautifully rubricated throughout; and a fine, rare copy of the 1486 editio princeps of “De Vita Contemplativa” by Julianus Pomerius, one of the most important of early Christian and Augustinian theological treatises.

Roger Dean (16) :

imagens de Roger Dean…

H R GIGER (13)

esta é No.500, TOTEM (detail), acrylic on paper on wood, 100x210cm, 1983.

h p lovecraft (6)

artes inspiradas no universo lovecraftiano

vem aí : ApoloDecorative

aqui vai uma palhinha de mais uma fonte da Intellecta com lançamento previsto para Maio próximo

Clube do Doyle

tive o prazer de conhecer os escritos de Michelle Horovitz, que ela publica em seu blog Club do Doyle. além de pensamentos diversos e instigantes escreve crônicas cuja poesia transborda em cada frase. como todo bom escritor, Michele não espera ser politicamente correta e escreve mesmo, é o que importa.

Dicionário de Tipógrafas

como anunciado aqui começa o nosso Dicionário de Tipógrafas, em homenagem aquelas, que, desde os primórdios da tipografia, atuaram lado a lado, e até a frente, dos homens na nossa arte da tipografia e impressão.

como já existe um trabalho pioneiro neste sentido sobre a tipografia mexicana (Nueva Espana) por mulheres desde o período colonial, optamos neste primeiro post em citá-lo, e depois, em próximos posts, iniciaremos as nossas pesquisas neste tema

na ilustração: Beatrice Ward, importante tipógrafa do século XX

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