STORIES AND STUDIES, FROM CHRONICLE AND HISTORY – SECOND EDITION, ENGLAND



a história das ilhas inglesas numa obra clássica agora com mais de 160 anos, escrita por S C Hall, aclamada escritors de assuntos das “ilhas” do século XIX. uma obra que pode ser sua

This is a very rare and scarce book, STORIES AND STUDIES, FROM CHRONICLE AND HISTORY – SECOND EDITION, ENGLANDBY MRS. S.C. HALL AND MRS. J. FOSTER. LONDON – DARTON AND CO. HOLNORN HILL EDITIONS – 1849. ABORIGINES, ROMAN DOMINATION, THE ANGLO-SAXON MONARCHIES, WILLIAM THE CONQUEROR, ETC, ETC, AT THE QUEEN VICTORIA 532 pages,measuring 7 x 5″, with illustrations. Overall condition good, with no looser pages, all are attached, hardcover in good status,spine with little damages (2% of area) In 1829 Mrs S.C. Hall, an Irishwoman living in England, published a book of sketches set mainly in her native Wexford. Sketches of Irish Life and Character was an immediate success both with literary critics and the general public. A second series of Sketches appeared in 1831 and established Mrs Hall’s reputation in England as an interpreter of Irish character. Her later works on Ireland – Lights and Shadows of Irish Life (1838), Stories of the Irish Peasantry (1840) and The Whiteboy (1845) – reinforced this view, and were very popular with her English and Scottish readers. She collaborated with her husband, the journalist Samuel Carter Hall (editor of The Art Journal), in the writing of a three-volume guide to Ireland, Halls’ Ireland, its Scenery, Character, etc. (1841-43), and this too was accepted as an informed description of Irish life and character. In fact, Mrs Hall wrote as an observer imbued with colonial attitudes who believed in the superiority of everything English. Years later she publish, with J Foster, this STORIES AND STUDIES, FROM CHRONICLE AND HISTORY – SECOND EDITION. Out of a genuine love for Ireland, however, she wished to make the country better known and understood in England, and she hoped through her writings to cure the Irish people of their faults. What makes her work interesting is the fact that it displays a tolerance and a lack of bigotry that was unusual for its time, and that she is openly critical (especially in her novel The Whiteboy) of government mismanagement and misrule..

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